Eric T. Johnson with Crosscurrent
By the Sea

1 Maresia MP3/Real Audio/Flash
2 Waiting For The Wind
3 Adrift
4 Out On The Jetty
5 Miltonesque MP3/Real Audio/Flash/Sheet Music
6 Gondwanaland MP3/Real Audio/Flash/Sheet Music
7 A Beira Mar
8 Jump In!
9 Blue Sand
10 Sand In Your Suit
11 The Devil's Bridge
12 Mozotown

All compositions by Eric T Johnson


   Following up last year's The Island, guitarist Eric T. Johnson has written 12 new compositions which showcase his improvisational abilities in a variety of settings. The music is yearning, exuberant, meditative, playful -a multifarious world in which complex counterpoint and powerful improvisational excursions coexist with the most pristine, unadorned ballad. Much of the music has Brazilian influence, paying tribute to Milton Nascimento and Egberto Gismonti. This time Eric has added the vocals of Brazil's Luciana Souza to the already rich instrumental texture.

    All compositions by Eric T. Johnson (BMI/Naked Egg Music) Eric T. Johnson, steel and nylon string guitars, electric guitars; Carl Clements, soprano and tenor saxophones; Ben Cook, piano and keyboards; JimWhitney, acoustic and electric basses; Bertram Lehmann, drums and percussion;Luciana Souza, voice; Ernesto Diaz, shekere and congas.

    “With expert support from his band... guitarist Eric T. Johnson offers a picturesque, stylistically varied effort on By The Sea. Although Johnson favors a Brazilian-breezy, acoustically layered sound on tunes like the playful album opener ‘Maresia’ and gently melodic ‘A Biera Mar,’ he is also apt to stretch out in somewhat unexpected directions - ‘Miltonesque,’ a lovely vocalese-driven tribute to Milton Nascimento, breaks down to a majestic club jazz-styled solo, while ‘Gondwanaland’ meditates in hypnotic deep circles of melody and countermelody before Johnson breaks things open with a rock-out solo. The piping ‘Sand in Your Suit’ finds Johnson injecting just a hint of blues in his guitar line, and ‘The Devil’s Bridge’ features driving, full-textured 12-string strum, horns and vocals in powerful parallel strokes.”
        - JazzTimes, March 1998, Vol. 28, No. 2

    “I can imagine Johnson being the best thing on most commercial Jazz stations. His use of Luciana Souza’s vocals is reminiscent of Corea’s Return to Forever, and ‘Gondwanaland’ evokes early Weather Report. This is proof that accessible Jazz need not be mindless.”
        - Cadence Magazine, Oct. 1997, Vol. 23 No. 10

    “[Eric T. Johnson] is at times richly textured and chordal, then dexterous and masterful with single note lines, then spacious and supportive beind various soloists. On his recent albums [w/Crosscurrent] The Island and By the Sea, he is guitarist, composer, and producer. “
        - Northeast Performer, March 1998